Erasure - World Be Gone Tour
Beacon Theatre, New York, NY
About the Event
Overview
Erasure, with special guests Reed & Caroline, bring their World Be Gone Tour to the Beacon Theatre on July 13 – 15!
Allow time for security checks – please allow 30 minutes to go through security. Doors to the venue open at 7:00 PM and the show will start at approximately 8:00 PM.
Join the conversation about this event on social with the hashtag #ErasureBeacon
The Madison Square Garden Company places the safety and security of our guests above all else. For that reason, we continuously assess and upgrade security measures across all of our venues, including the recent introduction of more rigorous bag screenings.
To help ensure that everybody attending our events can enjoy unforgettable and safe experiences, we strongly discourage guests from bringing unnecessary bags, particularly backpacks. As always, all bags will be subject to rigorous screening which can delay entry into all of our venues.
Your safety and security is of great importance to us and we look forward to seeing you.
Line at the front entrance? No problem. If you have your tickets in hand, you can now also enter The Beacon via the doors on Amsterdam Avenue between 74th and 75th streets, in addition to the main entrance on Broadway.
ERASURE (Andy Bell and Vince Clarke) have announced a collaboration with Echo Collective, the Brussels-based collective of post-classical musicians best known for their ongoing collaborative work with A Winged Victory for the Sullen, Johann Johannsson, Dustin O’Halloran and Stars of the Lid.
The collaboration sees the entirety of Erasure’s latest album, World Be Gone, given a post-classical rework. World Beyond was recorded over ten days by Andy Bell and seven performers from Echo Collective: Margaret Hermant (violin, harp), Neil Leiter (viola), Thomas Engelen (cello), Jaroslaw Mroz (double bass), Gary De Cart (piano) and Antoine Dandoy (vibraphone, glockenspiel). The album was produced by Echo Collective, mixed by Gareth Jones and arranged by Echo Collective’s Gary De Cart, Margaret Hermant and Neil Leiter. Neil Leiter from Echo Collective explains, “The process of this project was really deconstruction and re-purposing. We started by listening to each track layer by layer, and then, using the layers that inspired us or we found essential, we reconstructed the tracks instrumentally. Each of the instruments in the band setup were chosen for their inherent capacities and roles. Often choosing which layer to put with each instrument was a question of matching roles and colors. By stripping so much away, we were able to find a new space for Andy to fill. The text of the songs became much more important in the overall construction of the songs, and Andy was free to explore more dynamics and vocal range.”
The tracks featured on World Beyond show award-winning songwriters Vince Clarke and Andy Bell in a more reflective mood, giving the world and recent political upheavals a thoughtful examination. This new collaboration gives a new dimension to the tracks – including fan-favorites “Still It’s Not Over”, which tackles the LGBT rights movement post-Stonewall, and “Lousy Some Of Nothing”, a ballad for our post-truth age – but the band’s optimism about the future remains clear and bright. Andy Bell explains: “…the reinterpretations have brought such enormous context to the songs, it has created a new place for them.”
The original idea for the album developed from Vince Clarke, who initially suggested that a single from World Be Gone could be given an orchestral reinterpretation, but as the idea expanded and took shape, he spoke at length to Echo Collective ahead of the recording. “It was great to talk through ideas with Echo Collective and then see how their arrangements took shape. The collaboration has given elements of the album a whole new feel and Andy’s vocals remain as powerful and uplifting as ever,” says Clarke. The collaboration is a natural progression from 1987’s The Two Ring Circus, a companion EP for the band’s second album, The Circus, which included several orchestral interpretations.