The Decemberists

The Decemberists announced the first dates of their Your Girl / Your Ghost 2018 World Tour, which includes a concert at The Chicago Theatre on April 10 with special guest Tennis!

The Decemberists explore a new sound with a new producer on their inspired eighth studio album, I’ll Be Your Girl, which will be released March 16 on Capitol Records. The acclaimed Portland, Oregon-based band worked with producerJohn Congleton (St. Vincent, Lana del Rey) and embraced influences such as Roxy Music and New Order to spark a new creative path, as can be heard on the synth-driven lead single “Severed,” which is available today to stream or download.

I’ll Be Your Girl will be released on a multitude of formats, including 180gm LP, 180gm Limited Edition Orange LP, 180gm Limited Edition Blue LP (available at indie record stores), 180gm Limited Edition Purple LP (available at Barnes & Noble), 180gm Limited Edition White LP (available via Rough Trade Records in Europe), softpak CD, cassette, digital download, and a mystery deluxe edition box dubbed I’ll Be Your Girl: The Exploded Version, for which details will be revealed shortly.

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“When you’ve been a band for 17 years, inevitably there are habits you fall into,” says Colin Meloy. “So our ambition this time was really just to get out of our comfort zone. That’s what prompted working with a different producer and using a different studio. We wanted to free ourselves from old patterns and give ourselves permission to try something different.”

With I’ll Be Your Girl, the Decemberists—lead vocalist and guitarist Meloy, guitarist Chris Funk, keyboardist Jenny Conlee, bassist Nate Query, and drummer John Moen—explore new approaches to making music and broaden their sonic range. It’s the group’s follow-up to 2015’s What a Terrible World, What a Beautiful World (which charted in the Top Ten and included the #1 AAA single “Make You Better”), though in the time since, they have released the EPFlorasongs; a 10th anniversary limited edition vinyl box set of their 2006 Capitol Records debut The Crane Wife; their own crowd-funded board game Illimat; The Queen of Hearts, a GRAMMY-nominated collaboration with Olivia Chaney under the name Offa Rex; and “Ben Franklin’s Song,” the first of Lin-Manuel Miranda’s monthly “Hamildrops” of bonus material from Hamilton; as well as launching Travelers’ Rest, an annual two-day musical festival of their own curation in Missoula, Montana.

As busy as they have been, the band felt a need to shake things up. “On the last record,” says Meloy, “there were moments when I thought I was making familiar choices. I tried to be mindful in the songwriting process of challenging myself and being a little more critical. The idea was, how can we make unfamiliar choices, turn off the light a little and grope around in the dark a bit?”

Previous Decemberists’ records like The Hazards of Love or The Crane Wife have been structured around thematic or musical concepts, though Meloy maintains that ultimately, it’s always “our frame of mind that ties them together.” This time, he says, the songs share a mood that’s steeped in our current times and condition—”exuberant nihilism, an apocalyptic dance party was what we envisioned.”

“We were talking about music and our references,” says Meloy. “It kept coming back to Roxy Music and early glam, and we dove in with that in mind. The Decemberists are a record-collectors’ band, we’re all fans and scholars of music, so there a lot of touch points that we all get, but they don’t always come through. So we were trying to embrace that Bryan Ferry aspect, that kind of set the tone.”

The approach the Decemberists pursued on I’ll Be Your Girl also allowed for a new sense of contribution and involvement from the other band members. “Since we were going to mix it up, everybody felt like they had more of a voice,” says Meloy. Highlighting the input of Chris Funk and Jenny Conlee, Meloy mentions “Severed” as a significant team effort. “That was written as a punk song, but wasn’t really working,” he says. “Jenny set this arpeggio throughout it, and it became like an early New Order song. And I had forgotten that when we made the demo, I also started a file to turn it into more of a Depeche Mode song—I actually wanted it to be a synth song all along.”

I’ll Be Your Girl is the sound of a veteran band finding new inspiration, a unit unafraid of challenging itself to re-connect with its creativity. “Making music is an infinite choose-your-own-adventure,” says Meloy (who is also, of course, the author of a series of best-selling children’s books), “and when you go down one path, the other paths get sealed off. So every time we could, we said, ‘If this is what our impulses would tell us to do, let’s try to imagine it in a different way.'”